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creation
Friday 19 March, 2004 at 1:09PM (Nereus) :: permalink :: comments (11) :: trackbacks (7) As promised, this is the first part in a small series from Maori legend about creation. If the phraseology seems a little out in areas, it's because I did not want to alter it too much from the original translation for fear of inadvertantly changing some of the intended meanings or connotations.
Before there was any light there was only darkness; all was night. Before there was even darkness there was nothing. Of these things it is spoken in Maori karakia, those that were given down from ancient time that name all the ancestors of Maori People [karakia means 'words of the ancestors', literal translation: incantation or prayer]. It is said in the karakia, at the beginning of time there stood Te Kore, the Nothingness. Then was Te Po, the Night, which was immensely long and immensely dark:
Te Po nui, meaning the Great Night, the Long Night, the Dark Night, the Intensely Dark Night, the Gloom-laden Night, the Night Unseen, the Night to be Felt. The first light that existed was no more than the glowing of a worm, and when sun and moon were made there were no eyes so there was none to see them, not even kaitiaki [guardian or protector]. The beginning was made from the nothing. Then Ranginui, the sky, dwelt with Papatuanuku, the earth, and was joined to her, and land was made. But the children of Ranginui and Papatuanuku, who were very numerous, were not of the shape of men, and they lived in the darkness, for their parents were not yet parted. They sky still lay upon the earth, no light had come between them. The heavens were 12 in number, and the lowest layer, lying on the earth, made her unfruitful. Her covering was creeping plants and rank low weed, and the sea was all dark water, dark as night. The time when these things were seemed without end. At length the offspring of Ranginui and Papatuanuku, worn out with continual darkness, met together to decide what should be done about their parents, that man might arise. "Shall we kill our parents, shall we slay them, our father and our mother, or shall we separate them?" they asked. And long did they consider in the darkness. At last Tumatauenga, the fiercest of the offspring and the guardian of war, spoke out. "It is well. Let us kill them," stated Tumatauenga. But Tanemahuta, guardian of the forest, answered, "No, not so. It is better to seperate them, and to let the sky stand far above us and the earth lie below here. Let the sky be a stranger to us, but let earth remain close to us as our nursing mother." Some of the other sons, and Tumatauenga among them, saw wisdom in this and agreed with Tanemahuta. Others did not agree, and one, who now and forever has always disagreed with his brothers, was Tawhirimatea, the guardian of winds and storms. For Tawhirimatea, fearing that his kingdom would be overthrown, did not wish his parents to be torn apart. So while some agreed, Tawhirimatea would not and was silent, and he held his breath. Long did they consider further. At the end of a time no man can measure they decided that Ranginui and Papatuanuku must be forced apart, and they began by turns to attempt this deed. First Rongomatane, guardian of the cultivated food of men, rose up and strove to force the heavens from the earth. When Rongomatane failed, next Tangaroa, guardian of all things that live in the sea, rose up. He struggled mightily, but had no luck. And next Haumiatiketike, guardian of uncultivated food, rose up and tried, without success. Then Tumatauenga, guardian of war, leapt up. Tumatauenga hacked at the sinews that bound the Earth and Sky, and made them bleed, and this gave rise to ochre, or red clay, the sacred colour. Yet even Tumatauenga, the fiercest of the children, could not with all his strength sever Ranginui from Papatuanuku. So then it became the turn of Tanemahuta. Slowly, slowly as the kauri tree did Tanemahuta rise between the Earth and Sky. At first he strove with his arms to move them, but with no success. And so he paused, and the pause was an immense period of time. Then he placed his shoulders against the Earth, his mother, and his feet against the Sky. Soon, and yet not soon, for the time was vast, the Sky and Earth began to yield. The parents of the children cried out and asked them, "why are you doing this crime, why do you wish to slay your parents' love?" Great Tanemahuta thrust with all his strength, which was the strength of growth. Far beneath him he pressed the Earth. Far above he thrust the Sky, and held them there. The sinews that bound them were stretched taunt. Tumatauenga sprang up and again slashed at the bonds that bound his parents and the blood spilt red on the earth. Today this is the kokowai, the sacred red earth that was created when the first blood was spilt at the dawn of time. As soon as Tanemahutas work was finished, the multitude of creatures were uncovered whom Ranginui and Papatuanuku had begotten, and who had never known light. Original artwork of Te Po by Saffron Paddy The next installment will tell the story of the revenge of Tawhirimatea, the guardian of winds and storms. trackbacks (7)
TrackBack URL for this entry: http://urbanscrawl.net/cgi-bin/mtype/mt-tb.cgi/39 Listed below are links to blogs that reference this entry. weblog : Urban Scrawl weblog : Urban Scrawl weblog : Urban Scrawl weblog : Urban Scrawl weblog : Urban Scrawl weblog : Urban Scrawl weblog : Urban Scrawl comments (11)
Nereus Yeah good on ya Xeti, so what's your point? Go look at the entire collection of the stories I have posted (you can see them all together on this page, this story being one of them), you will notice that I have acknowledged maori.org.nz more than once as the authors, along with the artists of the various artworks I used. Now I presume your point is some kind of claim that by slapping a © on a page means you instantly own it? xeti © oops, guess that means I own that name now. Please turn over your email account and password to me worthwith. Guess again. You cannot copywrite mythology, legend or folklore, because the sheer fact it is folklore or mythology means you are not the original author of the story. The translations here are almost word for word, but a few changes have been made here and there to correct some of the grammatical errors. I have intentionally kept as much as possible to the original translation because I did not want to inadvertantly alter some of the intended meanings or connotations. I stated this at the start of this entry, which you seemed to also have missed. Regardless, I do not need approval to repeat mythology because nobody owns it. If your interest really is in Maori legend, perhaps you could try appreciating the fact that I am trying to share these legends with other cultures (since I'm living in the US now). Trying to make out someone 'owns' legends and insinuating that I'm doing something wrong by repeating them is kinda anal mate. Nereus No problem Xeti. I just checked the legends index for those stories as well as each individual legend, and failed to find any "© 2004 maori.org.nz All Rights Reserved" on any of those particular pages. Even the main index page of the site has no mention of copywrite, so where exactly did you see this notice? Chances are I sent an email to them at the time but presumably got no reply or I would've mentioned it. Either way, I can't locate any copywrite notice on any of the pages containing the translations or even in the source documents, so it would appear you're kind of full of it. Trish Whoa, guys relax..... I would like to thank you for sharing this, I am doing a major research assesment and needed a myth/creation story. This is perfect. So again, thanks :) RaeRae Kia ora, I am particularly interested in stories of Tumatauenga and Rongomatane at the moment and was wondering if you have any more to come? How they relate to each other in a bit more detail... Elizabeth Thank you so much for sharing the beautiful Maori creation story. I was attracted to your archives by your “front page” story of the passing of the Maori queen. That, and memories of the rich, dreamlike quality of the movie, “Whalerider.” I am a grad student studying mythology, and “Creation” is a perfect example of Joseph Campbell’s discussions in "Myths to Live By." He considers these “holy tales” messages of common psychological themes from the unconscious of us all. And they are tales we NEED to read in order to understand ourselves. I am struck by the seeming sophistication and depth of this pondering of what came before––the Nothingness, the Great Night, the Intensely Dark Night. And the notion of separating sky father from earth mother seems similar to the conflict that went on in the Garden of Eden. The knowledge of the duality of “good and evil” got Adam and Eve pitched out of their lush, yet unknowing and “unfruitful,” merged oneness with Mother Earth. It now separated the Father god out as a punisher, not part of them. They no longer possessed immortality. Interesting that Great Tanemahuta used “the strength of growth” to separate these two beings. I am reminded of theories of differentiation, individuation, and even the hero’s journey. This original hero’s task demanded the spilling of “the first blood” and from it came the “multitude of creatures” and a “light” no one had known. Sounds like consciousness to me! I love this story. leave a comment
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Erin
March 20, 2004 7:28 PM [link]
I really liked this one too. These are great stories... I love stuff like this. When I lived in Texas an old friend of mine had a Choctaw grandmother, and she used to tell us the stories about how the stars were made, the Sun and the Moon, etc... great stuff. :)